It’s been ages since I’ve had a solo afternoon up at Louisiana. Reminded me a lot of my first half year in Copenhagen, when I didn’t know all that many people (hardly any actually) and Louisiana was the place I could retreat to, to lose myself in the exhibitions, forget how lonely it was and empty my brain of all the things there are to think about when you’ve uprooted yourself and moved to another country. Things have obviously changed since then, and I’m well settled (most days) – but being up there today, and with a lot on my mind these days – the sanctuary was the welcome break I didn’t know I’d needed.

Sophie Calle

The sheer creativity of French photographer & writer Sophie Calle has me so SO inspired. There is a follow-through with each concept that I’ve rarely seen before, and each concept is so clear, solid and well thought out – that I found myself exploring every little detail to the end. Imagine – finding an address book belonging to a stranger and deciding to make a project out of it by contacting every person in the book, interviewing them one by one to build a mental picture of who this address book owner is – coming closer and closer to knowing him, without actually knowing him.

Or how about inviting friends, family and strangers to, one at a time, sleep in your bed for 8 hours each so that you could photograph them sleeping? The result is 28 sleepers and 173 photographs. How intimate – inviting so many, even strangers (one of them drunk), to sleep in your own bed. Interestingly, despite the personal nature of sleep, the installation remains unsexual and anti-romantic – as the sleepers arrive one at a time and do not talk about anything deeply personal during their interviews.

And the biggest of all (if the others bordered on obsessive, this tips the scales) – “Take Care of Yourself.” Calle receives an email from a lover ending their relationship – at the end of which her ex-lover says ‘take care of yourself’. How she does that is just epic – she distributes the letter to 107 women professionals, from grammar professionals who scrutinize his writing, to psychiatrists who evaluate his mental profile, from actresses who act out their own would-be reactions to such a letter to opera singers who sing the ex-lover’s words. Calle is quoted as saying that at first it was therapy, seeking and documenting all these professional evaluations of the letter, but that in the end it worked – the project replaced the man, and the suffering was gone. The woman really knows how to pour everything into a project. Hats off to that.